After the arrival of "Sano Sansar" and "Kagbeni", Nepali motion pictures had ventured in new heading making a sharp complexity between the two gatherings of movie producers.
Classification one speak to the motion picture with activity, parody, tunes, fabulous on-screen character and uncommon tricks of on-screen characters/performer. The greater part of these motion pictures used to highlight on-screen characters like Rajesh Hamal, Nikhil Upreti, Biraj Bhatt, Rekha Thapa et cetera. The achievement of those films used to rely on upon specials perspectives like perilous trick, or kissing scenes and alluring scenes, or even Rajesh Hamal's exchange conveyance. Such a pattern made Nepali motion picture prevalent in remote parts in Nepal and estranged alleged well-to-do city occupants.
In 2008, a music video chief, Alok Nembang, made "Sano Sansar" and another youthful executive, Bhusan Dahal, discharged "Kagbeni". Both of these motion pictures presented new team individuals and both were not focused to the alleged customary Nepali motion picture viewers at the same time, the youthful era. What's more, those not really standard Nepali film viewers preferred them in particular. Albeit both of the motion pictures were to a great degree well known and loved by numerous. In spite of the fact that, they couldn't benefit a business, unmistakably there is another gathering of film partners who might love motion pictures not made on masala motion pictures.
After that, new faces and executives have begun making Nepali motion pictures each year. Also, differentiation is obvious in Nepali motion picture industry with one gathering of producers making films focused to "general Nepali motion picture viewers" and the other gathering making motion picture focused to adolescents and city inhabitants. Throughout the previous couple of years, we have seen the "consistent kind of motion pictures" win the movies amusement, procuring more than non-masala films.
Presently, it appears, the circumstance has changed. It appears, the times of on-screen characters like Rajesh Hamal and Nikhil Upreti are over as they have delivered a bigger number of lemon than hits. A year ago's motion pictures like "First Love" and "Bato Muni ko Phul" had gotten great surveys and they had likewise earned a nice income; making trust in new movie producers. The achievement of "Plunder", this year, has made the new motion picture creators much more energized.
Tomorrow, on February 17, Friday, three films are being discharged speaking to both the eras of Nepali motion pictures.
Deepak Shrestha's "Majboor" highlights Biraj Bhatt and Anuska Dhakal. "Majboor" is an ordinary masala film containing every one of the fixings preferred by overall population like, activity, adoration, family show, feeling and charm. Deepak Shrestha is well known and fruitful in making such motion pictures and making them effective.
Uddav Poudel's "Mayako Barima" is a normal motion picture he makes each year. Including the oldies Rajesh Hamal and Karishma Manandhar in driving part. Dayaram Dahal's
The third film "Miss U" is delivered and acted by Dilip Rayamajhi likewise highlights mainstream Nepali performing artist Namrata Shresthaand Barun Rana speaks to the new era of motion pictures. On the off chance that this motion picture, coordinated by Suresh Darpan Pokharel, turns into a win, it would be clear that the new era is winning the Nepali film industry.
It is to be checked whether "Miss U" will demonstrate that the new era are capabale of running the show in Nepali film industry or if there is still seek after the motion pictures like "Majboor" or "Mayako Barima".
Concerning the viewers like us, it is a win circumstance!
Our good fortunes to Deepak Shrestha and Biraj Bhatt for Majboor's prosperity. Good fortunes to Uddav Poudel, Rajesh Hamal and Karishma Manandhar for the accomplishment of Mayako Barima. Good fortunes to Dilip Rayamajhi, Suresh Darpan Pokharel, Barun Rana and Namrata Shrestha for the accomplishment of Miss U.
Post a Comment